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Two Productions, One Joyful Term of Drama

Two Productions, One Joyful Term of Drama

In the Summer Term, the Edward Alleyn Theatre is filled with colour, young voices, and the largest casts we see all year. Every pupil in Year 6 takes part in their musical and, as their interests begin to focus, pupils in the Lower School audition for roles. With between 40 and 80 performers on stage, these productions are among the most ambitious of the year, both expertly and energetically directed by Catherine Ibbotson. 

This year, Year 6 performed the much-loved Chitty Chitty Bang Bang Jr. The production captured the spirit and charm of the original, with numbers such as “Toot Sweets” and “Truly Scrumptious” delivered with great enthusiasm. “Me ’Ol Bam-Boo” in particular stood out, combining precision, energy and impressive physicality. The role of the Child Catcher was shared by two pupils, who clearly relished the opportunity to bring this iconic character to life. 

The star of the show, of course, was the car itself. A small-scale version was created by the technical theatre team, complete with imaginative details, including wings fashioned from repurposed golf umbrellas. It was a perfect example of the creativity and resourcefulness that characterise these productions, and a reminder of how the Summer Term seems to unlock a particularly playful spirit among both staff and pupils. 

Closely following the Year 6 musical came the Lower School play, Charlie and the Chocolate Factory. The two productions shared much in common: boldly drawn characters, a slightly macabre sense of humour, and an exuberant imagination. It is striking how closely the creative worlds of Ian Fleming and Roald Dahl share their delight for the fantastical and the eccentric. 

The Year 7 and 8 cast rose to the challenge with confidence and energy, bringing Charlie, his family, and the unforgettable Willy Wonka vividly to life. There was a clear sense of enjoyment throughout the performance, with pupils embracing the quirks and distinctive personalities of their roles. Characters such as Grandpa Joe and Wonka were played with warmth and flair, while the wider ensemble helped create a lively and engaging world on stage. 

For audiences, the Edward Alleyn Theatre offered a joyful celebration of storytelling. With such imaginative productions and evident enthusiasm, it felt as though every member of the audience had found a Golden Ticket.

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